She started performing, then stopped, then came back — and the return is the more interesting half of the story. The five years away weren't dramatic by her own account; she describes them as quiet and unremarkable, the kind of civilian life that turns out not to fit as well as expected. When she returned, she was deliberate about it, building her own content rather than just stepping back into someone else's structure.
Publicly, she has talked about adolescence as a period of real confusion around intimacy and sexuality, and about how the work itself became part of how she figured out she was queer. That's not a story she tells as trauma — she frames it more as slow self-knowledge arriving in an unusual order. She competes in powerlifting, hosts a podcast, streams on Twitch, and splits her time between Louisville and Los Angeles. The cats are named and documented. The rest of her private life she keeps reasonably private, which at this point in the industry is its own kind of discipline.
The Ten
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