Inanna Justice moved from the United States to Paris, where she established herself not just as a working dominatrix but as an architect of the city's kink infrastructure. Over nearly a decade, she shifted from individual sessions into community-building—organizing events, creating spaces, and shaping how BDSM culture operates in France.
Beyond the dungeon, she turned to filmmaking as another medium for exploring domination and power dynamics. Her work suggests someone interested in how kink functions as culture, not just commerce. She has spoken publicly about her role in Paris's scene as both practitioner and documentarian, positioning herself within a broader conversation about BDSM as community and art.
The Ten
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