She didn't start in front of a camera. The Moonlite Bunny Ranch, the legal Nevada brothel that became something of a cultural curiosity through a documentary series, was where she first worked in the sex industry. From there she moved into film, though the transition wasn't clean — her first agent was someone she has spoken about with obvious wariness, the kind of person you figure out too late wasn't looking out for you. What she has built since then, she has largely built on her own terms, and that independence is something she talks about openly: encouraging other performers not to be afraid to call their own shots. Her personal life runs alongside all of this in complicated ways. She has a teenage daughter, and she has spoken candidly about what it means to raise a child in an era when every scene she has ever shot is a search away. She doesn't pretend that's simple. She also hunts — bowhunting specifically — which is either a footnote or the most telling detail, depending on how you read people.
The Ten
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